翻訳と辞書
Words near each other
・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Amelia Bassano Lanier : ウィキペディア英語版
Emilia Lanier

Emilia Lanier (1569–1645), also spelled Lanyer, was the first Englishwoman to assert herself as a professional poet through her single volume of poems, ''Salve Deus Rex Judaeorum'' (1611).〔Isabella Whitney, a half century before, had been the first Englishwoman known to have published non-religious poetry.〕 Born Aemilia Bassano and part of the Lanier family, she was a member of the minor gentry through her father's appointment as a royal musician, and was apparently educated in the household by Susan Bertie, Countess of Kent. She was for several years the mistress of Henry Carey, 1st Baron Hunsdon, first cousin of Elizabeth I of England. She was married to her first cousin, court musician Alfonso Lanier, in 1592 when she became pregnant by Hunsdon, and the marriage was reportedly unhappy.
==Biography==
Lanier's life is well documented for the period through her letters, her poetry, her medical records, her legal records and through sources about the social contexts she inhabited. Researchers have used entries in astrologer Dr. Simon Forman's (1552–1611) professional diary, which is the first casebook kept by an English medical practitioner, which logs interactions with Lanier. Lanier visited Forman many times during 1597 for consultations that incorporated astrological readings, as was usual for the period. Forman was evidently sexually interested in her but was rebuffed.
Church records show that Lanier was baptised Aemilia Bassano at the parish church of St. Botolph, Bishopsgate, on 27 January 1569. Her father, Baptiste Bassano, was a Venice-born musician at the court of Elizabeth I. Aemilia is often described as "black", and that could be due to the Moor influence in Italy at the time; however, this is just speculation. Her mother was Margret Johnson (born ca. 1545–1550), possibly the aunt of court composer Robert Johnson. Lanier also had a sister, Angela Bassano, who married Joseph Hollande in 1576. There were also brothers Lewes and Phillip, both of whom died before they reached adulthood.〔McBride,Kari Boyd (2008) (Web Page Dedicated to Aemilia Lanyer ), accessed on 1 May 2015〕 It has been suggested that Lanier's family were Jewish or of partial Jewish ancestry, though this is disputed. Susanne Woods says that evidence for Lanier's Jewish heritage is "circumstantial but cumulatively possible".〔Woods, Susanne (1999) ''Lanyer: A Renaissance Woman Poet'', p. 180, Oxford: Oxford University Press ISBN 978-0-19-512484-2〕 Leeds Barroll says she was "probably a Jew", her baptism being "part of the vexed context of Jewish assimilation in Tudor England".〔Barroll, Leeds, "Looking for Patrons" in Marshall Grossman (ed) (1998) ''Aemilia Lanyer: Gender, Genre, and the Canon'', pp. 29, 44, University Press of Kentucky ISBN 978-0-8131-2049-2〕
Baptiste Bassano died on 11 April 1576, when Aemilia was seven years old. Bassano's will dictated to his wife that he had left young Aemilia a dowry of £100, to be given to her either when she turned 21 years old or on the day of her wedding, whichever came first. Forman's records indicate that Bassano's fortune might have been waning before he died which caused him to be unhappy.〔Susanne Woods, Ed. (1993) ''The Poems of Aemilia Lanyer'', Oxford University Press, New York, NY ISBN 978-0-19-508361-3〕
Foreman's records also indicate that, after the death of her father, Lanier went to live with Susan Bertie, Countess of Kent. Some scholars have questioned whether Lanier went to serve Bertie rather than be fostered by her, but there is no conclusive evidence to confirm this. It was in Bertie's house that Lanier was given a humanist education and learned Latin. Bertie greatly valued and emphasised the importance of young girls receiving the same level of education as young men.〔 Later evidence indicates that this decision may have greatly impacted Lanier and her own decision to publish her writing. After living with Bertie, Lanier went to live with Margaret Clifford, Countess of Cumberland, and Margaret's daughter, Lady Anne Clifford. Dedications in Lanier's own poetry seem to confirm this information.〔McBride, ''Biography of Aemilia Lanyer'', 1〕
Lanier's mother died when Lanier was eighteen. Church records show that Johnson was buried in Bishopsgate on 7 July 1587.〔
Not long after her mother's death, Lanier became the mistress of Tudor courtier and cousin of Queen Elizabeth I, Henry Carey, 1st Baron Hunsdon. At the time of their affair, Lord Hunsdon was Elizabeth's Lord Chamberlain and a patron of the arts and theatre (he supported Shakespeare's theatre company, known as the Lord Chamberlain's Men, but not until two years after their affair was over). He was also forty-five years older than Lanier. Records indicate that Carey gave her a pension of £40 a year. Lanier apparently enjoyed her time as Carey's mistress. An entry from Forman's diary reads "() hath bin married 4 years/ The old Lord Chamberlain kept her longue She was maintained in great pomp ... she hath 40£ a yere & was welthy to him that married her in monie & Jewells".〔
In 1592, when she was 23, Lanier became pregnant with Carey's child. Carey paid her off with a sum of money. Lanier was then married to her first cousin once removed, Alfonso Lanier. He was a Queen's musician and church records show the two were married in St. Botolph's church, Aldgate, on 18 October 1592.〔
Another of Forman's diary entries indicates that the marriage was an unhappy one. It also indicates that Lanier was much happier as Carey's mistress. It reads "... and a nobleman that is ded hath Loved her well & kept her and did maintain her longe but her husband hath delte hardly with her and spent and consumed her goods and she is nowe ... in debt".〔
Alfonso and Aemilia remained married until his death in 1613. Forman's diary entries suggest Lanier told him about having several miscarriages. It is known that Lanier gave birth to a son, Henry, in 1593 (presumably named after his father, Henry Carey) and a daughter, Odillya, in 1598. Odillya died when she was ten months old and was buried at St. Botolph's, Bishopsgate. Lanier's son married Joyce Mansfield in 1623; they had two children, Mary (1627) and Henry (1630). Henry senior died in October 1633. It is implied from later court documents that Lanier may have been providing for her two grandchildren after their father's death.〔
In 1611, Lanier published her volume of poetry, ''Salve Deus Rex Judaeorum''. Lanier was forty-two years old at the time and the first woman in England to declare herself a poet. People who read her poetry considered it very radical and many scholars today refer to its style and arguments as "proto-feminist".〔
After the death of her husband, Lanier supported herself by running a school. She rented a house from Edward Smith to house her students but, due to disputes over the correct rent price, was arrested on two different occasions between 1617 and 1619. Because parents weren't willing to send their children to a woman with a history of arrest, Lanier's dreams of running a prosperous school ended.〔McBride, ''Biography of Aemilia Lanyer'', 3〕
Little else is known about Lanier's life between 1619 and 1635. Court documents state that, in this year, Lanier brought a lawsuit against her husband's brother, Clement, for money owed to her from the profits of one of her late husband's financial patents. The court ruled in Lanier's favour, declaring that Clement pay her £20. Clement couldn't pay her immediately, so Lanier brought the suit to court again in 1636 and in 1638. There are no records that verify whether Lanier was ever paid in full but it is known that, at the time of death, she was described as a "pensioner", someone who has a steady income or pension.〔
Lanier died at the age of seventy-six and was buried at Clerkenwell, on 3 April 1645.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Emilia Lanier」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.